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The History Of Grimoires


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The history of grimoires is as prolonged and tumultuous as human interest in magic has long been. From ancient Mesopotamia through the witch hunts of Europe throughout the Early Modern time to the present day, the occult has both captivated and repelled. Grimoires are intriguing simply because they reflect that interest at the same time as document the actual ebb and flow of general trends and belief in the occult.

The word grimoire arises from the Old French word "grimmaire," meaning a book which was written in Latin. After some time the meaning has developed into what we consider these days: a book about magic, much similar to a textbook, that consists of facts about charms, spells, the best way to summon magical entities like angels or demons, as well as the best way to make magical items. Several of these types of guides were definitely thought to have magical properties by themselves.

Strangely enough, while the term is European, the very first acknowledged grimoire was composed in the city of Uruk in Mesopotamia, at some time in the time of the 5th century B.C.E. The early Egyptians of the identical time period additionally possessed a rich system of incantations, known as heka, that focused on charms that furnished protection and good health and wellbeing. This gradually changed as time elapsed, and by the time the Library of Alexandria opened, grimoires contained charms centering on finances and sexual pleasure.

Many other ancient peoples had occult traditions as well. The Jewish people were viewed as knowledgeable in the magical arts; many Biblical figures also had ties to the occult. Moses was purportedly able to subdue demons, while the Book of Enoch had a section devoted to astrology. King Solomon was also seen as a magical figure. However, these beliefs began to be suppressed after the Roman Empire became wholly Christian.

This trend of suppression continued into the Medieval period. By this time, the Church had separated magic into "good" or "natural" magic, and "demonic" magic, which was deemed unacceptable. However, interest continued and grimoires reflecting current influences continued to be written. During this time, Moorish influences increased in the form of astral magic. Famous works include Arabic books such as the Picatrix and Sefer Raziel Ha-Malakh, as well as grimoires based on Biblical figures such as the Sworn Book of Honorius, based on King Solomon.

Early Modern Europe wasn't a friendly place for magicians. Though the arrival of the printing press meant publications of magic ended up being much more prevalent, and also there was renewed curiosity in Hermeticism and the Jewish mystical teachings of the Kabbalah, there were definitely numerous incidents that might make Europe a hazardous spot to be. The Reformation, Counter-Reformation, along with the Inquisition, and the witch hunts that ensued, were disastrous. Numerous grimoires were placed on the "Indexes of Prohibited Books" and many ended up being destroyed outright. Regardless of this, magicians continued to compose. Paracelsus, a Swiss magician, focused on the dissimilarities between good and evil magic in his work "Of the Supreme Mysteries of Nature," while other people produced demonological grimoires including "The Fourth Book of Occult Philosophy."

European anti-magic zeal died down as the world entered the age of Enlightenment. Rationalists and scientists still strongly opposed magic and witchcraft, yet grimoires were widely available. Many of the works of this period, such as the "Libra de San Cipriano" focused on discovering treasure; others focused on astrology.

During the last century, there have been only a few books of magic produced. The Book of Shadows, the Wiccan Grimoire, was written by Gerald Gardner in the 1940s; another well known work is the "Simon Necronomicon," which is based on a fictional grimoire found in H.P. Lovecraft's books. Enough people are interested in the Lovecraft's Necronomicon that it is a popular request at libraries - unfortunately, the actual book doesn't exist. These days, most grimoires exist only as references in video games, fantasy books, or television shows.

Though these particular books of magic might not be published very much nowadays, interest in the occult will never die out. If nothing else, the lengthy history of grimoires should tell us that much.
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